Bite Sized Pieces (Woodshedding technique)
This blog post is part of a series on woodshedding. For more ideas on how to invigorate your practicing with new and creative ideas, check out the bog posts on the Articulation Game, Rhythm Spinner Game, Scale Card Game, and Karate Chops. Today’s blog post will offer some ideas for how to turn a long run of music notes into a smooth, effortless thing of beauty.
Long, fast runs can turn into a sloppy mess if we let the fingers run freely. Easy fingering combinations move more quickly than difficult ones, giving the passage an uneven texture. We must even out the technique to make the run sound good. Clean runs sound much faster than sloppy ones at the same tempo. Consider this example:
Let’s group the notes like this:
You can pause after each group. Alternatively, you can articulate the first note of each group or pulse with the breath. Choose groups that make the most sense, ie. chromatic movement, scales. Try to break the groups when there is an unusual skip. In the example above, the notes are grouped together because they are chromatic. The notes that start groups are exceptions to the rule; in this case, the minor thirds are different than the half steps. We bring attention to these exceptions by making them the start of a new group.
When performing, we want to think of the groups but keep the original articulation. In practice and in the finished performance it’s simply too difficult for the brain to control all 22 notes. But small groups are manageable.
Creating groups will help the technique be cleaner and the run will sound faster. When playing fast runs, you must listen very carefully to hear every note. If you can’t hear each individual note, neither can your audience.